We talk with you
You tell us who it's for, what you'd like and how much time we have. We propose the format that fits and a fixed price.
Memoirs · Portraits · Sculpture
A writer gathers your mother's story. A painter makes your father's face. A sculptor models the hands that raised you. This isn't a keepsake off a shelf: it's a commissioned work about one particular person.
Everyone has a father, a mother or a grandparent who always tells the same four stories. We all remember their eyes, their hands. We've heard them so often that we've stopped listening; we've seen them so often that we no longer notice. And one day we realise we don't know the details: what year it was, what that man was called, what happened next.
A memoir is exactly that: sitting down with that person, with time and with someone who knows how to ask, and writing it down while the details are still there. A painting is giving them a space of their own. A sculpture is keeping them safe from time.
The gift isn't the book. It's the hours they spend telling it.
We've published a free guide with 50 questions for interviewing your grandparents and how to do it so it doesn't feel like an interrogation.
You can commission a single piece or combine several. We'll help you choose what fits.
A few pages, written to say what is hard to say out loud. It can stay exactly as it comes from their hand, in the handwriting their children will recognise instantly, or be typeset and bound if the hand no longer holds steady. On archival paper, in a sealed envelope, to be read on the day it should be.

A writer sits with her over a few afternoons and asks what nobody has ever asked her: what the village was like, what her mother said the day she left, why she chose what she chose. Out of those conversations comes a book with her name on the cover. When it's finished, almost every family tells us the same thing: the gift wasn't the book, it was the afternoons.

There is a difference between an enlarged photograph and a painted portrait, and you can see it from across the room. A painter doesn't copy a face: he decides what to look at, what to leave in shadow and where the light comes from. That's why a portrait can hold a wall for forty years without tiring anyone.



Hands that kneaded bread, that wheeled a bicycle by the handlebars, that buttoned up your coat. The sculptor models them from photographs and the result can be touched, which is something no other keepsake allows. In bronze, marble or stone, depending on where it will stand.



Each commission is quoted separately depending on format, length and number of copies. Call us and we'll give you a fixed price before anything starts.
You tell us who it's for, what you'd like and how much time we have. We propose the format that fits and a fixed price.
The writer visits them at home, sessions of an hour and a half, no rush. For many families those afternoons end up being the best part of the gift.
We write the text, select the photographs and lay it out. You review everything before anything is printed.
We deliver it bound and with as many copies as you like, so every child and grandchild has one at home.
Seventy, eighty, ninety. Exactly when you no longer know what to buy.
Fifty years together is more than enough for one book, and usually for two.
Very common among colleagues who club together. Forty years of a trade deserve to be written down.
So that the day they're old enough to ask where they come from, the answer is already written.
It's the gift the family remembers and talks about for years. Order it in September.
We're not a printing house. Every commission is made by a person with a craft, and you'll know who they are from day one.

The books are written by journalists and professional writers. You'll know who yours is from the first call and it will always be the same person.

We work with painters and with a bronze and marble workshop. Before you commission anything we show you their work so you know what you'll receive.

One single contact from start to finish: they help you choose the format, keep the deadlines on track and update you at every step.
It happens, but rarely. The reluctance usually lasts until the first session: after that it's harder to make them stop. If they still say no, we stop and charge nothing.
Between three and five months depending on the format. If you need it for a specific date, give us some notice.
We're in Barcelona and we travel throughout Catalonia. Elsewhere in Spain we work in person or by video call, whichever suits: what matters is who's asking the questions, not where they're sitting.
Then we build it with the people who knew them: children, siblings, friends, letters and photographs.
Three free guides answering the questions everyone asks us. You can do it yourselves with them; you only need us if you'd rather it were done by someone with the craft.
Five options that work when the person no longer wants objects, how to get past “don't get me anything” and the real lead times.
PricesWhat the price is made of and the seven questions to ask any quote before signing. Ours included.
Do it yourselfWith the phone you already have, in one afternoon. How to bring it up so they say yes and where to keep it so it doesn't get lost.
Do it yourselfThe full script, organised in blocks, so the conversation doesn't feel like an interrogation.
Write to us and we'll call you. We'll tell you which format fits, how long it takes and what it costs. No obligation.
Received. We'll call you within 24 hours with a concrete proposal.